Re: Have a question about selmer mouthpieces.
corrected:
I don't disslike the S80 as much as some, but I do agree that there are a lot of other mouthpieces to be had which should be tried prior to purchase. I've read where a number of mouthpiece experts mentioned that the square chamber of the S80 messes with tuning, among other things.
From what I can guess, you were told about the S80 by an instructor. They are all the rage in the minds of music instructors for some reason, and they tend to be a decent 'default' step-up piece for concert work. However, if one's going to spend their own money for a mouthpiece, you might as well try the S80 along with some other pieces to make sure *you're* the one pleased by the purchase. I can suggest a few that might be suitable for concert alto work:
Selmer Soloist
Vandoren Optimum
Try each in as many sizes (tip openings) as are available. I find the soloist gives better projection and a darker, more focused sound than the S80. It's also very flexible in what you can do with it from a tone-colouring standpoing. The Optimum is darker still with equivalent projection of the S80, but in it's AL3 opening, requires a more openfaced embrochure from myself, yet tone production is quite effortless. You could also try the AL4, which has a slightly more open facing.
I also can suggest the Soloist for tenor work, as well as the pricier Metal Classic from Selmer.
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