Re: Lavoz reeds
My first sax teacher preferred LaVoz to Rico and others. But he said the most important part was individual reed selection. My old music store used to let me go through boxes and pick out the singles I wanted. I was supposed to look for uniformity in the cane fibers near the tip, without thicker strands extending out just in spots. You have to hold it up to a good light to inspect properly.
Make sure to wet the reed thoroughly and press the tip onto the face of the mouthpiece and hold it flat with your thumb for a minute, so there are no wrinkles. Then re-wet the reed and line up on the mouthpiece so that the tip of the reed comes very near to the tip of the mouthpiece and is even left to right on the rails. Use your ligature properly for your mouthpiece and ligature type.
Also matching the reed to the mouthpiece is important. If you use a medium hard on a Selmer Soloist C* you should consider a medium on a Link 7* - and so forth. The more open the tip, the softer the reed, I've heard. Good Luck.
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