Re: Lewin tenor sax
Ah, but there is the (possibility...) that the named horns play just that little bit better than the stencils, and/or are made with just that little bit more care and attention than the stencils,or is it all in the mind ? The stencils are often made with 'last model' tooling, and don't have a great cash value, whereas 'name horns' can be an investment - look at Selmer MkVI's !
But players (like me) are quite happy to get great stencil horns at bargain prices, and can smile inwardly ! E.G. I've got a Conn stencil straight Soprano which is identical to a slightly earlier 'named' Conn Soprano (I've compared them side by side) - the only difference is that Conn stencils normally don't have the rolled toneholes, big deal !
So, stencils are (often) very good, and cheap, 'playing' horns. But lower cash value. If you want to pay (often more than) double the price, you can get a 'name' horn, which will hold - or even increase - its value.
But then again, as there are good and bad horns in any given range, you might get a great stencil that plays better than an indifferent 'name' horn. The arguments can go on and on.... Hmmm, having written all this, I may turn it into a blog topic ! Nice to talk to you. Alan
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